Aside from the coffee table, we have been in the midst of creating a small table for the library at the hotel. Another burl slab provides such interesting and lively grain patterns. We tended to the natural splits with a series of small walnut bones.
You can see in the photo to the left, the slab has such a beautiful shape and live edge. In the vein of George Nakashima, we have chosen to leave the natural voids and crevasses as they are. The alternative would have been to fill the voids with epoxy and crushed bark but it was decided that the textured spaces marry too well with the splits to fill them.
This slab, like most of our furniture, was treated with boiled linseed oil. You can see in the 'before' and 'after' photos to the left what a world of difference the oil makes. The slab was then finished with gym seal finish and is currently awaiting the final rub out (using 0000 steel wool and mineral oil to smooth and reduce the shiny/glossy appearance) and the construction of it's base!
The third and final table in the works for this project is a Pennsylvania Brown Oak crotch slab. As the slab was dried, it developed a large split down the center of the crotch but the shape and size were right so, we got the chance to be creative with more bones! Jeff printed some inspirational, skeletal images so we could cut bones in shapes as true to life as possible. As they are structural additions to the 'flesh' of the wood, it is important that they are beautiful and strategically placed. He carefully selected pieces of figured walnut to cut the bones from and designed their shapes and placement.
My final passes cut out the material right up to the outline, watching carefully as the fibers split away from the knife lines but doing all I could to avoid going beyond them. From there, I would test the fit of each bone keeping in mind that the goal was to have them fit as close to perfectly as possible. The bones needed to be snug in their holes (enough that they should need to be tapped in with a brass mallet), but not so tight that they would split from the pressure of being glued in.
And then came the glue! We used a two-part epoxy to hold the bones in place. After trying the 5-minute epoxy on the first bone, we realized that it was too thick and the open time wasn't quite enough for us to feel confident that each bone would be bottomed out and placed perfectly before it started to tack. Onto the West System epoxy we went! Although the dry time for the West System is longer, the consistency was much easier to work with and it allowed us ample time to set the bones just as we wanted them.
In the photo to the right, you can see our brass mallet and hammering block on standby to tap the bones into their slots. The two boards underneath and on top of the slab were pulled together (like a sandwich) with c-clamps and helped us to lower the bones toward the edge into place evenly and slowly. It was important that each bone bottomed out into its routered slot so that they fulfill their role as structural and strong additions to the piece. We want to make sure that 100 years from now, the split in this slab remains harnessed, un-extended, and beautifully treated.
Finally, after the epoxy had a day to dry completely, we belt sanded the bones down to be level with slab's surface. The entire slab was then sanded with 80, 120, 180, and 220 grit sandpaper via a random orbit sander. The blunt ends were rounded with files and sanders as well to create the soft, round ends you see to the left. The live edge was de-barked and otherwise left in it's natural state.
And, for the third table in a few weeks, we treated the table top with boiled linseed oil. The brown oak slab now lays drying for the week before we jump into applying finishes to its surfaces.
Now that the table tops are nearly complete, we are onto the design and beginnings of their bases! Look out for an update soon about our current Practical Woodworking course as well as the base construction for these beautiful tables as they make their way to completion!